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Scripting Defiance

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Scripting Defiance

This is the second volume from the authors (along with several others) of Gauging and Engaging Deviance, which is positioned between the ideas of deviance and defiance and attempts to uncover ‘scripts’ through which notions of deviance as well as acts of defiance unravel. It argues that instead of the monologue about the binary of European modernity and its traditional backwoods, the contours are to be found in another archive, one that is made up of significant scripts or narratives of defiance that endure through subaltern people’s cultural formations despite and in response to dominant ideas and ideologies. Such scripts within this archive will help sociology reconstitute itself away from its original mandate: to be part of the “fixers”, to help the maintenance of social order, to predict and control aberrant behaviour and to create functional individuals and ensembles. The chapters look at specific figures of discontent: the worker, the woman, the student, the artist, the migrant and refugee, the prisoner, and, as a counter-voice, the movements of reaction to their discontent, the movements of authoritative restoration.

Ari Sitas

Ari Sitas is a poet, dramatist, activist and sociologist. He was at the core of the transformation of Labour Studies, of popular and theatre work, and a range of cultural initiatives in South Africa. He has been awarded the highest honour bequeathed to South Africans for his scientific and creative work, the Order of Mapungubwe. In 2016, he was the inaugural Bhagat Singh Chair at Jawaharlal Nehru University, New Delhi, India. He is an Emeritus Professor at the University of Cape Town and a Gutenberg Chair at the University of Strasbourg.

Sumangala Damodaran

Sumangala Damodaran is an academic at Ambedkar University Delhi (AUD) who works in the areas of Development Studies and Popular Music Studies. She is also a musician and composer who has archived and written about Indian resistance music traditions, and done collaborative performative and scholarly work on music with poets, musicians and academics. She has undertaken research and documentation of the musical tradition of the Indian People's Theatre Association (IPTA) from the 1940s and 1950s, and has performed extensively from the documented repertoire. She has also collaborated with poets and musicians from South Africa in a project titled 'Insurrections', and is currently engaged in researching the relationship between music and migration, particularly of women in slavery and servitude across centuries and across vast tracts of the globe that were linked through long-distance trade in commodities and symbolic goods. This is a collaborative project between scholars and musicians, and several universities, in Africa and Asia.