Ashish Rajadhyaksha is a film historian, and an occasional art curator. He is the author of Ritwik Ghatak: A Return to theEpic (1982), Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency (2009) and The Last Cultural Mile: An Inquiry into Technology and Governance in India (2011). He edited the Encyclopaedia of Indian Cinema (with Paul Willemen) (1994/1999), In the Wake of Aadhaar: the Digital Ecosystem of Governance in India (2013) and a book of Kumar Shahani’s writings, The Shock of Desire and Other Essays (2015). He co-wrote, with Nishant Shah and Nafis Aziz Hasan, the book Overload, Creep, Excess: An Internet from India (2021). Rajadhyaksha co-curated (with Geeta Kapur) the ‘Bombay/Mumbai 1992–2001’ section of ‘Century City: Art and Culture in the Modern Metropolis’ at the Tate Modern (2002); the ‘You Don’t Belong’ festival of film and video in four cities in China (2011) and ‘Memories of Cinema’ at the IVth Guangzhou Triennial (2011); ‘“Make-Belong”: Films in Kochi from China and Hong Kong’, Kochi-Muziris Biennale (2015); and the exhibition ‘Tah-Satah: A Very Deep Surface: Mani Kaul & Ranbir Singh Kaleka: Between Film and Video’ at the Jawahar Kala Kendra, Jaipur (January–March 2017).